If you’re like me, you may only have a cursory awareness of Tiny Tim. You probably know him as a folk singer who performed in the 1960s, who sang in falsetto and looked a little weird, and who gave us “Tiptoe Through The Tulips” — the song that scared the living shit out of us during James Wan’s Insidious.
You know those assholes on the internet — the trolls and the griefers and the dickbags whose only purpose in life is to make other people miserable by shitting on everything? Yeah, we all know them. And if you’re a woman on the Internet, then you are intimately aware. The comments, accusations, and remarks about our work, how we look, and anything else they come up with between massive helpings of Cheetos and a few conversations with their mom, who, for the love of god, wants them to move the hell out of her garage so that she can have some semblance of a life now that she has finished raising this piece of shit. Yeah, them. This movie is about what happens when someone finally pushes back.
If there is one thing unique to horror, it’s the fans. Horror fandom is a special and unique place where we celebrate everything macabre, bloody, strange, and otherworldly. We can recite lines from our favorite films, make obscure references to one another, and cosplay the most minor characters knowing that if we go to a con, someone there will know who we’re dressed as and give us a high five.
My first film of the Fantasia International Film Festival was a fascinating and understated horror film from Germany. Sleep is a film fueled by nightmares that break into the waking space and fuse themselves to the horrors of the real world. The film centers on Marlene (Sandra Huller) and her daughter Mona (Gro Swantje Kohlhof). Marlene is plagued by nightmares, often finding herself trapped between sleep and consciousness, gasping for breath. Mona tries to help her as much as she can, but her condition keeps worsening and doesn’t have an apparent source.
Nolan is joined by Ben McBride, Thomas Foster, and Paul Farrell to discuss Darren Aronofsky’s Black Swan (2010) and Joe Begos’ Bliss (2019). The crew share their thoughts on recent horror releases, new discoveries, and rewatches before pushing themselves to physical and mental extremes in order to achieve artistic perfection and falling apart along the way.
Nolan is joined by Kat Adams, Emily von Seele, and Philip Yount to discuss John Erick Dowdle’s As Above, So Below (2014) and Adam Wingard’s Blair Witch (2016). The crew share their thoughts on new discoveries and rewatches, as well as recent horror releases — including a review of Mike Flanagan’s Doctor Sleep (2019) (**Spoilers from 7:25 – 11:25**) — before the unresolved baggage from a lost family member spurs the group on a dangerous adventure into a forbidden zone (which is documented on video, of course).
Nolan is joined by Emily von Seele, Paul Farrell, and Philip Yount to discuss Lucky McKee’s May (2003) and Nicolas Pesce’s The Eyes Of My Mother (2016). The crew share their thoughts on spooky season discoveries, as well as recent releases and rewatches, before trauma and prolonged isolation force the group to take extreme measures in an attempt at making friends.
Lucky McKee’s May has become a Halloween-viewing staple among genre fans. The strange fairy tale of a lonely young woman trying to find a meaningful relationship in a world of imperfection is a beautiful and unique film experience. May’s journey is one of hope and heartbreak, as we watch her try to form a bond with several people in her life, only to be let down and forced to take a rather unorthodox approach to finding that connection.
On this Off-Topic episode, Emily von Seele is joined by The Deeper You Dig co-director/co-writer/co-star Toby Poser to talk about her new film making its way through the festival circuit and what it’s like to make micro-budget films with your family.