[Fantasia 2020] THE COLUMNIST Review: A Wildly Entertaining Cautionary Tale for the Internet Age

By: Emily von Seele

You know those assholes on the internet — the trolls and the griefers and the dickbags whose only purpose in life is to make other people miserable by shitting on everything? Yeah, we all know them. And if you’re a woman on the Internet, then you are intimately aware. The comments, accusations, and remarks about our work, how we look, and anything else they come up with between massive helpings of Cheetos and a few conversations with their mom, who, for the love of god, wants them to move the hell out of her garage so that she can have some semblance of a life now that she has finished raising this piece of shit. Yeah, them. This movie is about what happens when someone finally pushes back.

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[Fantasia 2020] HAIL TO THE DEADITES Review: A Fun Love Letter to EVIL DEAD Fans

By: Emily von Seele

If there is one thing unique to horror, it’s the fans. Horror fandom is a special and unique place where we celebrate everything macabre, bloody, strange, and otherworldly. We can recite lines from our favorite films, make obscure references to one another, and cosplay the most minor characters knowing that if we go to a con, someone there will know who we’re dressed as and give us a high five.

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[Fantasia 2020] SLEEP Review: A Journey into the Nightmares of the Past

By: Emily von Seele

My first film of the Fantasia International Film Festival was a fascinating and understated horror film from Germany. Sleep is a film fueled by nightmares that break into the waking space and fuse themselves to the horrors of the real world. The film centers on Marlene (Sandra Huller) and her daughter Mona (Gro Swantje Kohlhof). Marlene is plagued by nightmares, often finding herself trapped between sleep and consciousness, gasping for breath. Mona tries to help her as much as she can, but her condition keeps worsening and doesn’t have an apparent source.

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Dead Ringers Episode 35: AS ABOVE, SO BELOW + BLAIR WITCH (2016)

Nolan is joined by Kat AdamsEmily von Seele, and Philip Yount to discuss John Erick Dowdle’s As Above, So Below (2014) and Adam Wingard’s Blair Witch (2016). The crew share their thoughts on new discoveries and rewatches, as well as recent horror releases — including a review of Mike Flanagan’s Doctor Sleep (2019) (**Spoilers from 7:25 – 11:25**) — before the unresolved baggage from a lost family member spurs the group on a dangerous adventure into a forbidden zone (which is documented on video, of course).

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MAY and the Horror of Loneliness

By: Emily von Seele

May 3

Lucky McKee’s May has become a Halloween-viewing staple among genre fans. The strange fairy tale of a lonely young woman trying to find a meaningful relationship in a world of imperfection is a beautiful and unique film experience. May’s journey is one of hope and heartbreak, as we watch her try to form a bond with several people in her life, only to be let down and forced to take a rather unorthodox approach to finding that connection.

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