Author: Dead Ringers

[Fantastic Fest] Interview: Director Maria Pulera on BETWEEN WORLDS

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By: Nolan McBride

Maria Pulera

Between Worlds is a new supernatural thriller about a trucker named Joe (Nicolas Cage) who falls in with Julie (Franka Potente), a single mother with the ability to send her spirit between the world of the living and the dead. Following an accident, Julie tries to pull her daughter Billie (Penelope Mitchell) from a coma using her abilities, but something (or someone else) intervenes, resulting in a very different Billie waking up and an unexpected love triangle. I don’t want to spoil the plot any further, but the movie only gets weirder from there.

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[Fantastic Fest] Review Round-Up: HALLOWEEN (2018), THE PERFECTION, BORDER

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By: Nolan McBride

Halloween 2018 2

There are so many movies to see at this year’s Fantastic Fest and only so much time to write about them, so rather than trying to review them all, I am going to cover the movies about which I was most passionate or those I want to make sure everyone puts on their radar. In this edition, it’s the much-anticipated sequel to John Carpenter’s seminal slasher, an unexpected roller coaster of a thriller, and an emotional, fantastical tale about outsiders finding their place in the world.

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[Philadelphia Unnamed Film Festival] THE WITCH IN THE WINDOW Review: White Lies

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By: Nolan McBride

The Witch In The Window 1

The Witch In The Window cast its spell upon me almost immediately. Though it plays in familiar territory — (part of) a family is (temporarily) living in a new house rumored to be haunted by a former inhabitant — it distinguishes itself thanks in large part to the strength of its core relationship and emotional arc. Rather than diminishing returns, it provided a breath of fresh air, similar to that experienced by the characters as they venture away from the troubles of the fraught modern world.

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[Philadelphia Unnamed Film Festival] BRAID Review: The Dangers of Make-Believe

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By: Paul Farrell

Braid 1

People are puzzles. Riddles. Identities which have to be deconstructed and put back together again as we transition from child to adult; the fractured pieces of our past offering only the vaguest clues as to who we are, instead of the concrete evidence we’d like them to be. These strands, comprised of all we know and have experienced, are then bound together to make a whole that is altogether different than any one of its parts.

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