Nolan is joined by Philip Yount, Ben McBride, and Emily von Seele to discuss Lamberto Bava’s Demons (1985) and Mark Herrier’s Popcorn (1991). The crew catch up on spooky season discoveries, rewatches, and recent releases before attending an all-night movie marathon where the horrors onscreen begin to unfold in their theater.
Read More »Dead Ringers Off-Topic: ChuckyCast – The CHILD’S PLAY Franchise
Nolan is joined by Emily von Seele, Ben McBride, and Paul Farrell to discuss their love for the Child’s Play franchise and the enduring legacy of its foul-mouthed killer doll.
Read More »Dead Ringers Episode 46: PYEWACKET + VERONICA
Nolan is joined by Kat McBride, Ben McBride, and Emily von Seele to discuss Adam MacDonald’s Pyewacket (2017) and Paco Plaza’s Veronica (2017). The crew dig into new discoveries, rewatches, and recent releases before impulsively invoking forces beyond the boundaries of the natural world and suffering the consequences of their adolescent indiscretions.
Read More »Dead Ringers Episode 45: CARNIVAL OF SOULS (1962) + MESSIAH OF EVIL
Nolan is joined by Paul Farrell and Philip Yount — as well as special guest Trevor Henderson — to discuss Herk Harvey’s Carnival Of Souls (1962) and Willard Huyck & Gloria Katz’s Messiah Of Evil (1973). The crew catch up on new discoveries, rewatches, and recent releases before being chased around an eerie, seaside town by a pack of ghouls.
Read More »Dead Ringers Off-Topic: Fantasia Fest 2021 – Interview with the HELLBENDER Filmmakers
On this Off-Topic episode, Emily von Seele is joined by the filmmaking family behind Hellbender — Toby Poser, John Adams, and Zelda Adams — to talk about the unexpected inspirations for their new film, making movies on the road during a pandemic, and the unique challenges and rewards of acting opposite your real-life family.
Read More »Dead Ringers Episode 44: A NIGHTMARE ON ELM STREET (1984) + CANDYMAN (1992)
Nolan is joined by Kat McBride, Ben McBride, and Emily von Seele to discuss Wes Craven’s A Nightmare On Elm Street (1984) and Bernard Rose’s Candyman (1992). The crew digs into new discoveries, rewatches, and recent releases before being targeted by urban legends that have come to life and are seeking revenge for their extrajudicial killings.
Read More »[Fantasia Fest 2021] ALIEN ON STAGE Review: A Heartfelt Journey from the Little League to the Big Time
By: Emily von Seele
There is insurmountable joy to be found in stories of ordinary people doing extraordinary things. They don’t have to be earth-shattering, heroic deeds. Sometimes they are small and sometimes they are what the outside world might call “silly.” But to the people doing them, they are everything. A mountain that has been scaled. A monster that has been defeated. Sometimes just having a dream and seeing it brought to fruition can be the most exciting feeling of one’s life. And for those of us who get to watch, it is so thrilling to experience this high vicariously.
[Fantasia Fest 2021] THE LAST THING MARY SAW Review: A Haunting Period Horror Film
By: Emily von Seele
In The Last Thing Mary Saw, the shadow of religion looms large, and living beneath it is almost suffocating. Set in rural New York in the 1840s, Mary (Stefanie Scott) is part of a well-off Calvinist family. Religion is an integral part of her life, providing a rigid set of rules by which she must abide. Her family demands nothing short of obedience, both to them and the Church. There is little room within this space for personal satisfaction or growth.
[Fantasia Fest 2021] THE RIGHTEOUS Review: Religious Horror Taken to a New Level
By: Emily von Seele
Religious horror is a fascinating corner of the genre. It is wide-reaching and offers endless possibilities for storytelling. A particularly interesting film that makes new strides within that space is Mark O’Brien’s The Righteous.
[Fantasia Fest 2021] AGNES Review: Mickey Reece Delivers a Beautiful Tale About Questioning Faith
By: Emily von Seele
There is something truly fascinating about Mickey Reece’s brand of storytelling. Much like Climate Of The Hunter, Agnes is a film that doesn’t broadcast where it is headed and takes the audience on a fascinating and unexpected journey. It’s supernatural in ways, yet very grounded in others. It’s a quiet story, populated by characters who are struggling with uncertainty and questions of faith.
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