Nolan is joined by Philip Yount and Thomas Foster — as well as special guests Ben Christian and Zach Kindron (from the Silver Screen Breakdown podcast) — to discuss Ishirô Honda’s Godzilla (1954) and Hideaki Anno & Shinji Higuchi’s Shin Godzilla (2016). The crew digs into new discoveries and rewatches, as well as recent horror releases — including a review of Michael Dougherty’s Godzilla: King Of The Monsters (2019) — before literal embodiments of nuclear proliferation and radioactive contamination rise out of the sea to deliver their wrath upon the land.Read More »
On this Off-Topic episode, Emily takes the reins and is joined by Kat Adams, Thomas Foster, and Nolan McBride — as well as special guest Nick Caruso of The Littlest Winslow blog — to discuss their love for the Final Destination franchise (except for 2009’s The Final Destination because it stinks) and debate death’s best designs.
On this Off-Topic episode, Paul takes the reins and is joined by Ben McBride and Philip Yount — as well as special guest Jason “Jinx” Jenkins from Scream Addicts — to discuss the staggering filmography of legendary producer/director Roger Corman and his impact on horror/sci-fi cinema through a selection of their favorite (or new favorite) Corman flicks.
Nolan is joined by Emily von Seele — as well as special guests Stephanie Crawford from The ScreamCast & Dread Central and Michele Eggen from Wicked Horror & Ghastly Grinning — to discuss Mary Lambert’s Pet Sematary (1989) and David Keating’s Wake Wood (2011). The crew catch up on recent horror releases, new discoveries, and rewatches before a monkey’s paw grants them the power to bring their loved ones back from the dead, as well as bringing about their own demise.
Nolan is joined by Kat Adams, Ben McBride, Paul Farrell, and Thomas Foster to discuss Ti West’s The House Of The Devil (2009) and Karyn Kusama’s The Invitation (2016). The crew share their thoughts on recent horror releases, new discoveries, and rewatches before being summoned by a sinister cult to spend a single night in an unsettling house under false pretenses.
By: Kat Adams
By: Paul Farrell