Nolan is joined by Emily von Seele — as well as special guests Stephanie Crawford from The ScreamCast & Dread Central and Michele Eggen from Wicked Horror & Ghastly Grinning — to discuss Mary Lambert’s Pet Sematary (1989) and David Keating’s Wake Wood (2011). The crew catch up on recent horror releases, new discoveries, and rewatches before a monkey’s paw grants them the power to bring their loved ones back from the dead, as well as bringing about their own demise.
Nolan is joined by Kat Adams, Ben McBride, Paul Farrell, and Thomas Foster to discuss Ti West’s The House Of The Devil (2009) and Karyn Kusama’s The Invitation (2016). The crew share their thoughts on recent horror releases, new discoveries, and rewatches before being summoned by a sinister cult to spend a single night in an unsettling house under false pretenses.
By: Emily von Seele
Before Women in Horror Month comes to a close, I wanted to spend some time with one of my favorite horror films. When we talk about women directors in the horror genre, Mary Lambert’s Pet Sematary is always part of the initial conversation. It has repeatedly been named on numerous lists over the years, but aside from briefly mentioning it when discussing female contributions to the genre, we don’t really discuss it in-depth anymore. And why is that? It’s a solid entry into horror — scary, atmospheric and effective, and one that holds a personal connection for me.
Nolan is joined by Emily von Seele, Ben McBride, Thomas Foster, and Philip Yount to discuss John Fawcett’s Ginger Snaps (2001) and Julia Ducournau’s Raw (2017). The group celebrates Women in Horror Month by recommending some of their favorite horror movies directed by women and shares recent horror discoveries before a monstrous, adolescent transformation drives a wedge between this (not quite) sisterhood.
Nolan is joined by Paul Farrell and Kat Adams, as well as special guests Anya Stanley and Jordan Byrd, to discuss Roman Polanski’s Rosemary’s Baby (1968) and Jordan Peele’s Get Out (2017). The group celebrates Women in Horror Month by recommending some of their favorite horror movies directed by women and catches up on their latest horror discoveries before becoming embroiled in a conspiracy which seeks to exploit and control marginalized bodies.